Breandán wrote:
If it is bardic poetry, the word(s) for "red" in Middle Irish or Early Modern Irish (
ruaḋ and
dearg?) might have been chosen for their vowels since the "rhyming" in the poetry of the period employed assonance, i.e., matching shifts in vowel patterns like:
v v v v v v ó
v v v ó v v é
v v v v v v a
v v v v a v é
We'd have to see the original, but the first might be
dearg (of course, any stringed instrument player would know about getting red fingers

), and the second might be
ruaḋ for the reddish-brown hue of the wood?

The reality, though, is you DON'T get red fingers from playing the harp...especially not the traditional wire-strung harp, which is played with the nails. It's very different from fretted instruments, where your fingers get raw from pressing the string against a board. I've been playing both nylon and wire-strung harps for years, and have yet to get so much as a blister.
We don't go through strings very quickly either. It's altogether different from the guitar or violin in those respects.
Also, traditional Irish harps were made of willow, which isn't particularly ruddy (they were also usually painted and highly decorated), so I doubt they would have been thought of as "rua."
Redwolf